158 Free Images of Crayon On Wove Paper

drawings in the national gallery of art (washington, d.c.)national gallery of artpost-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings by paul gauguin in the national gallery of artpaul gauguinimpressionismmetropolitan museum of artjohn singer sargentgift of mrs. francis ormondwax crayon on off-white wove paper
Village Scene; Loèche-les-Bains (from "Splendid Mountain Watercolors" Sketchbook), John Singer Sargent, 2 July 1870
"splendid mountain watercolours" sketchbook (50.130.146) by john singer sargentimpressionism
Urner Loch, Hospenthal (from Switzerland 1870 Sketchbook), John Singer Sargent, 4 June 1870
switzerland 1870 sketchbook (50.130.148) by john singer sargentimpressionism
Kandersteg from the Klus of the Gasternthal (from "Splendid Mountain Watercolours" Sketchbook), John Singer Sargent, 1870
"splendid mountain watercolours" sketchbook (50.130.146) by john singer sargentimpressionism
Gemmi Pass (from "Splendid Mountain Watercolours" Sketchbook), John Singer Sargent, 1 July 1870
department of american paintings and sculpture, metropolitan museum of artimpressionism
Gemmi Pass (from "Splendid Mountain Watercolours" Sketchbook), John Singer Sargent, 1 July 1870
department of american paintings and sculpture, metropolitan museum of artimpressionism
Study of a Nude Old Woman Clenching Her Fists, and Two Decorative Objects, Gustav Klimt, circa 1901
drawings in the national gallery of art (washington, d.c.)symbolism,art nouveau
Kandersteg from the Klus of the Gasternthal (from "Splendid Mountain Watercolours" Sketchbook), John Singer Sargent, 1870
department of american paintings and sculpture, metropolitan museum of artimpressionism
Gemmi Pass (from "Splendid Mountain Watercolours" Sketchbook), John Singer Sargent, 1 July 1870
department of american paintings and sculpture, metropolitan museum of artimpressionism
Views from Kandersteg; Entrance to the Gasternthal, Kanderthal from the Hotel Gemmi (from "Splendid Mountain Watercolours" Sketchbook), John Singer Sargent, 30 June 1870
"splendid mountain watercolours" sketchbook (50.130.146) by john singer sargentimpressionism
Railway Bridge at Dazio Grande, St. Gotthard (from Switzerland 1870 Sketchbook), John Singer Sargent, 3 June 1870
switzerland 1870 sketchbook (50.130.148) by john singer sargentimpressionism
Railway Bridge at Dazio Grande, St. Gotthard (from Switzerland 1870 Sketchbook), John Singer Sargent, 3 June 1870
switzerland 1870 sketchbook (50.130.148) by john singer sargentimpressionism
Hotel Bellevue and Esel Peak, Mount Pilatus (from "Splendid Mountain Watercolours" Sketchbook), John Singer Sargent, 1870
department of american paintings and sculpture, metropolitan museum of artimpressionism
Address List; Manuscript Page [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Trees; Sketch of Breton Boy [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Circles and Numbers; Self-Portrait [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Head of a Monkey; Inventory of Bottles and Beverages [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Hotel Bellevue and Esel Peak, Mount Pilatus (from "Splendid Mountain Watercolours" Sketchbook), John Singer Sargent, 1870
department of american paintings and sculpture, metropolitan museum of artimpressionism
A Pig; Breton Peasant Kneeling [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Little Breton Boy; A Pig and a Washerwoman [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
A Bearded Man and a Man in Profile [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Figure Studies; Studies of Soldiers [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Soldiers; Four Soldiers and a Seated Figure [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Two Breton Women; Landscape [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Group of Human Forms; A Man Seated [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Three Studies of a Man Wearing a Hat [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Four Heads and Two Figures [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
A Breton Woman Walking; Sketch with Stairs [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Two Cows; A Seated Breton Woman [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Great Hunters--The Deer is Ready, Félix Vallotton, 1903
les nabis,impressionism,symbolism,post-impressionism,art nouveaudrawings in the national gallery of art (washington, d.c.)
A Head of Man with Hat, Seen from Behind; A Standing Woman [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Two Figures and a Bench; Three Studies of Men's Heads and One of a Hand [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Four Studies of Breton Women; Shapes and Vases [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
A Profile and Four Shapes; Sketch of a Man's Head [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
A Person Holding an Umbrella and a Seated Man with a Hat and a Glass [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Studies of Jugs and Vases; A Man with Moustache and a Boy with a Hat [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Five Studies of Soldiers and a Woman's Face; Two Figures [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
A Breton Boy with a Jug; Five Animal Forms [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Two Breton Figures; Bridge at Pont-Aven [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Drawing, Men and Women Looking Out to Sea, Cullercoats, England, 1881, Winslow Homer
drawings by winslow homer in the cooper–hewitt, smithsonian design museumrealism
Breton Boy Tending Geese; Cows and a Figure Leaning on a Ledge [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Eye and Part of Face; A Breton Woman and Two Men [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
A Breton Woman and a Standing Man; Head and Hand of a Monkey [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Two Breton Figures and Studies of Two Geese; Man Wearing Hat [verso], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Three Studies of a Pig; Breton Boy Walking with a Jug [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Head of a Man with a Study of His Back; Various Sketches with a Peasant Woman and a Goose [recto], Paul Gauguin, between 1884 and 1888
post-impressionism,pont-aven school,symbolism,synthetism,cloisonnism,impressionism,primitivismdrawings in the national gallery of art (washington, d.c.)
Flying Female Nude by Henri Fantin-Latour, black crayon, Henri Fantin-Latour, 1871
drawings in the crocker art museumrealism,symbolism,impressionism
Otto Muller, Nude before a Tent. Saint Louis Art Museum, Otto Mueller
nude woman by otto muellerexpressionism
Aubrey George Spencer lithograph coat of arms, Maxim Gauci
canada in the 1840saubrey spencer
In the Bois de Boulogne, by Henri de Toulouse-Lautrec, 1897, crayon lithograph on wove paper, only state, Wittrock 185 - Montreal Museum of Fine Arts - Montreal, Canada - DSC08808
lithographs by henri de toulouse-lautrec in the montreal museum of fine artspost-impressionism
The Motorist by Henri de Toulouse-Lautrec, 1898, crayon lithograph on wove paper, only state, Wittrock 293 - Montreal Museum of Fine Arts - Montreal, Canada - DSC08820, Henri de Toulouse-Lautrec
lithographs by henri de toulouse-lautrec in the montreal museum of fine artspost-impressionism
Adolphe, of The Sad Young Man, by Henri de Toulouse-Lautrec, 1894, crayon lithograph on wove paper, only state, Wittrock 55 - Montreal Museum of Fine Arts - Montreal, Canada - DSC08846
lithographs by henri de toulouse-lautrec in the montreal museum of fine artspost-impressionism
Miss May Belfort (large plate) by Henri de Toulouse-Lautrec, 1895, crayon and spatter lithograph on wove paper, State III-III, 2nd ed,Wittrock 114 - Montreal Museum of Fine Arts - Montreal, Canada - DSC08868, Henri de Toulouse-Lautrec
lithographs by henri de toulouse-lautrec in the montreal museum of fine artspost-impressionism
The Simpson Chain by Henri de Toulouse-Lautrec, 1896, brush, crayon, and spatter lithograph on wove paper, Wittrock P26 - Montreal Museum of Fine Arts - Montreal, Canada - DSC08833, Henri de Toulouse-Lautrec
posters by henri de toulouse-lautrec in the montreal museum of fine artspost-impressionism
A Merry Christmas by Henri de Toulouse-Lautrec, 1896, crayon lithograph on wove paper, only state, Wittrock 173 - Montreal Museum of Fine Arts - Montreal, Canada - DSC08870, Henri de Toulouse-Lautrec
lithographs by henri de toulouse-lautrec in the montreal museum of fine artspost-impressionism
Aristide Bruant by Henri de Toulouse-Lautrec, undated, brush, crayon, and spatter lithograph on wove paper, only state, regular edition - Montreal Museum of Fine Arts - Montreal, Canada - DSC08853, Henri de Toulouse-Lautrec
lithographs by henri de toulouse-lautrec in the montreal museum of fine artspost-impressionism
The Photographer Sescau by Henri de Toulouse-Lautrec, 1896, brush, crayon, and spatter lithograph on wove paper, Wittrock P22 (C) - Montreal Museum of Fine Arts - Montreal, Canada - DSC08814, Henri de Toulouse-Lautrec
posters by henri de toulouse-lautrec in the montreal museum of fine artspost-impressionism
A nude study of a standing young man holding a head (by Frederick Trevelyan Goodall), Frederick Trevelyan Goodall
drawings of nude standing malesfrederick trevelyan goodall
Bellows, George Wesley, The Murder of Edith Cavell, 1918, George Bellows
american drawings in the princeton university art museumashcan school,american realism
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